Rosehaven

The multi-award-winning Rosehaven is a comedy set at the bottom of the world on the picturesque island of Tasmania, written and created by real-life best mates and comedians Luke McGregor and Celia Pacquola.

As Seen On:

Season 1
Season 2
Season 3
Season 4
Season 5

SHOW INFO

SEASON 1: 8 x 30' | SEASON 2: 8 x 30' | SEASON 3: 8 x 30' | SEASON 4: 8 x 30' | SEASON 5: 8 x 30'

Luke McGregor (Luke Warm Sex, Utopia) is Daniel McCallum, who returns to his rural Tasmanian hometown, Rosehaven, to help his domineering mother with her real estate business. He gets a surprise when his best friend from the mainland, Emma (Celia Pacquola; Utopia, The Beautiful Lie), turns up on his doorstep - on the run from a marriage so fresh her husband is still on their honeymoon.

In no time these two friends are thrown into the centre of small town life. Daniel is confronted at every turn by the ghosts of his adolescent past and a town that hasn’t moved on, while his mate Emma is lapping up her anonymity in Rosehaven and newfound life on the lam.

Boasting a superb cast, award-winning writing and the stunning backdrop of country Tasmania, the small-town comedy series Rosehaven has been embraced by audiences in Australia and across the world.

Screen Tasmania, Screen Australia and The Australian Broadcasting Corporation present A Guesswork Television / What Horse? Production

CREATED AND WRITTEN BY: Luke McGregor and Celia Pacquola

CAST: Luke McGregor, Celia Pacquola, Kris McQuade & Katie Robertson

DIRECTED BY: Jonathan Brough & Shaun Wilson

PRODUCER: Andrew Walker

EXECUTIVE PRODUCER: Kevin Whyte

CO PRODUCER: Fiona McConaghy

  • "Brace yourself to completely fall in love"

    The New York Times
  • “The first season is quirky, charming, relatable, sweet, and hilarious – all the ingredients of great comedy. We’re thrilled to partner with the ABC to bring this amazing show not only back for a second season but also to U.S. audiences.”

    Jan Diedrichsen, General Manager SundanceTV and SundanceNow
  • "There’s no better TV escape"

    Washington Post

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